主角，特別是這個穿越過來，故事裡一切的一切基本上都圍繞著她展開的主角，竟然沒有想做的事，那請問故事該如何開展？哪怕作者用很多個日常把它串連起來，但終究逃不過這個空洞的內涵啊，越看越覺得這位女主活得很得過且過，她做的一切事情都與她自己無關，喜歡上黃瀨的過程也不夠有說服力，以至於這些劇情都沒有被一個主心骨給連接起來，當然真要說的話也不是沒有，硬是把「男女主角之間的相處過程」給算進去的話還是勉強說得通，但是這和女主的人設就一點關係都沒有了啊，她如果是土生土長的這個世界的人那也就罷了，問題是她前身是一代戰神，還是穿越到不同世界的存在，不覺得她的表現與她的人設超級衝突的嗎？黃瀨穿過樹叢找到佛蘭西斯的小天地時她就會摸匕首警戒，怎麼她初來乍到這個世界的時候不會想搞清楚身處環境的狀況？要跳過也該交代一些基本的情況才對吧，都不解釋也就算了，日常一天天的過，這位女將軍都不會有任何想法？該上課就上課、該談戀愛就談戀愛？就很奇怪啊，打打殺殺了大半輩子，怎麼可能穿越之後就不會思考了？更別說周遭環境明顯就和她以前有非常巨大的差異，她都不會想了解一下這邊的風俗民情？怎麼可能，如果她當將軍的時候也是這種態度應該早就戰死了還哪來的不世之功？對男人的態度很有趣是沒錯，但作者有沒有想過她對女人的態度很不自然呢？既然都要反著來了，難道佛蘭不該疑惑為何這個世界的女人都跟她印象中的不一樣嗎？她會要求黃瀨他們在海邊要穿多一點，為何她對身邊女性不會指指點點、要她們「像個女人一樣」呢？
以同人作品來說，這部作品應該算很不錯的了。之所以用「應該」，主要是因為我不常看同人作品，無從與其他作品做比較，單純看內容以及閱讀時的體感就是還不錯，自創的角色與原作角色之間的互動不會到太突兀，女主很有個人特色，劇情還算有條理，橋段偶能會心一笑，是一部非常輕鬆自在的作品。至於為什麼不是「好看」、「非常棒」，就，沒有給我這樣的感覺啊。但是敘述和邏輯都過關了欸，問題出在哪？讓我們再換個角度思考一下。
In keeping with Google Ngram Viewer, “type of detail” is the preferred preference, with “types of things” 2nd in level of popularity. This reveals that it’s extra widespread to match the singular or plural sort of “form” and “matter” inside your composing.
Heaps of sporting pursuits and general public transport nearly at your door. There are plenty of possibilities now with compact developments within the area - homesites ranging from 800sqm to 1/4 acre and in some cases one.five/2acre blocks. We continue to exist Westaway Cres. The neighbours always say howdy any time you wander by, but regard your privacy. There exists a police beat just for Bellbowrie which gives comfort currently being somewhat length from Kenmore, but we haven't experienced a difficulty with crime within our quick spot. If we didn't have spouse and children obligations to move, I might by no means leave.
In 2004, following decades of contamination inside the village and advocacy attempts for well being services, The federal government designed a clinic on the opposite facet with the village.
Self-advocacy is when someone advocates for their own interests. It includes skills like understanding your rights, click resources knowing your requirements, and correctly speaking those must Other individuals.
In 1863, George Elphinstone Dalrymple claimed pastoral land in a place of not long ago opened crown lands, The Valley of Lagoons.[2] A police camp was recognized on the southern extent of Dalrymple's land, the longer term site of your township, and in 1864 grew to become the initial inland city in Northern Australia to get surveyed.
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Emmaline Soken-Huberty is usually a freelance author my company situated in Portland, Oregon. She began to come to be thinking about human rights although attending higher education, ultimately getting a great post to read concentration in human rights and humanitarianism.
需要這麼細緻、一個動作一個動作描寫的劇情與篇幅不用很多，兩三章、幾千字就行，太多反而囉嗦、時間流逝緩慢（當然還是要看小說架構啦，有些大長篇動輒幾百萬字，一段劇情註定就會比較長），就像這個體育課補考事件，雖然短，卻能在很大程度上揚起故事的節奏與讀者的心境，這就是結構平衡的好處，看了不會無聊。前面會講原作的比賽劇情也是一樣的道理，故事需要一些高低起伏，而且不一定要是比賽這麼刺激的劇情才能叫高潮，這個學投籃、學上籃的經過也可以是精彩的部分，端看內容怎麼描寫與呈現。日常輕鬆歸輕鬆、搞笑歸搞笑，但在畫面的呈現上往往非常平淡又不容易想像，除非作者寫的夠好或是角色夠精緻，而比賽或者是打戲這種東西，寫得細緻一點點就會很有畫面，動者重畫面感，靜者則重意境，兩者相輔相成方能錯落有致、引人入勝。
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在劇情消失後，他們誰都不敢提起，因為光是想到那個被他們逼走的親生妹妹，那股疼痛就像是附骨蛆一般，如影隨形，揮之不去，痛徹心扉。
原作角色的描寫淡薄無力，原創角色卻又很正常，所以一遇到兩者互動的情節就很容易會有一種不協調感。角色為什麼會做出某個選擇、做出某些反應、說出某些話，從來都不會是因為「作者說的」所以做出相應的結果，角色和你我一樣，應該會有自己的故事背景、有自己的人生經歷、有自己的思維想法，從而造就出獨一無二的性格、喜好、三觀。
groups are very likely to bypass even further alternatives for location improve. Within the Cambridge English Corpus It shows that nursing households were the main concentrate of citizen advocacy